New Berlinale screening locations confirmed for 2020 | New

Berilnale’s European Film Market (EFM) has added four additional screens to its list of screening facilities for replace the loss of eight screens from the Sony Center Cinestar complex and the neighboring IMAX screen for the February 2020 event.

In addition to the seven screens of the Delphi Lux – near the Zoo Palast and Delphi cinemas – the EFM has secured the Russian House of Science and Culture in Friedrichstrae which has an 189-seat cinema. It is two U-bahn stops from Potsdamer Platz and a short walk from Stadtmitte train station.

Additionally, closer to the festival activity center at Potsdamer Platz are two screening rooms located at the Staatsbibliothek (State Library) – immortalized in Wim Wenders’ 1987 film. Wings of desire – with seating for 400 and 80.

A second studio-category cinema – the new “dffb 2” – was installed in the basement of the Filmhaus next to the Arsenal cinema with 50 seats, to complement the cinema school of the film school with 65 seats on the ninth floor , which is also used for EFM market projections.

The EFM also has a new screening venue to present VR content. The EFM VR cinema is at a new address – Am Park 4 – near the Berliner Freiheit and the Marriott Hotel.

In addition, the Generation box of the festival is moving from the Maison des Cultures du Monde this year due to renovations.

Urania was the main venue for Kinderfilmfest, as the section was called before Kosslick took over, until 1999 and can seat 866 and 320 people in Humboldt-Saal and Kleist-Saal respectively.


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Oscars: historic year for submissions of best international African films

This year, a record 10 submissions from the continent are recorded, thanks to novices from Ghana and Nigeria. The previous record was eight.

Earlier this month, the Academy announced that 93 countries had submitted films for its International Feature Film category at the 92nd Academy Awards. Ten of them came from Africa, a new record for the continent.

It remains to be seen whether any of these titles will be shortlisted to be part of the final list of five nominees. Of the 10 films, “Atlantics” from Senegal, winner of the 2019 Cannes Grand Prix from Mati Diop acquired by Netflix, probably has the strongest chance.

The last time a film depicting an African country won this category was Gavin Hood’s “Tsotsi” from South Africa at the 78th Academy Awards in 2006. It was one of three country wins. Africans, which also include “Z” from Algeria by Costa- Gavras in 1969 and La Victoire en chantant de Côte d’Ivoire by Jean-Jacques Annaud in 1976.

In 2018, eight entries included beginners from Africa, Mozambique (“Le train du sel et du sucre”) and Senegal’s “Félicité”, who was even on the shortlist. In 2019, Africa submitted eight more nominations, including two countries that submitted a film for the first time: Malawi sent “The Road to Sunrise” and Niger sent “The Wedding Ring”.

The last time a film depicting an African country received a nomination was “Timbuktu” by Abderrahmane Sissako, which was Mauritania’s candidacy for the 87th Academy Awards in 2014.

The gradual increase in submissions over the years fits the Western narrative of ‘Africa on the rise’, but that only tells part of the story. The history of cinema in Africa is very complex and has not entirely freed itself from colonial traps. Most of the major African films competing on the international scene are financed and effectively controlled by European companies.

Yet African forays into an institution like the Oscars represent change. It is also aided by efforts such as the World Cinema Project by Martin Scorsese, who partnered with the Pan African Federation of Filmmakers earlier this year to create the African Film Heritage Project. It is designed to locate, restore and preserve 50 classics of African cinema and make them available to audiences around the world.

“I can’t tell you how deeply inspired and excited I am by African films; ‘Yeelen’, ‘Touki Bouki’, ‘Trances’, ‘La Noire De…’, ‘Al Momia’, ‘Bamako’, “Scorsese said in a statement.” I always come back to these images and each time the experience is richer. My appreciation continues to grow for the talent, power and wisdom of African cinema. “

Africa first presented a film at the Oscars in 1958 with “Cairo Station” by famous Egyptian director Youssef Chahine. Although the film did not make the final cut, it did signal Egypt’s dominance over other African countries when it comes to Oscar nominations; Algeria is far behind. Now other nations are starting to have their own impact.

Read: Oscars 2020: Best International Feature Film Predictions

The upcoming 92nd Academy Awards break the record for the number of nominations in the category, with 94 (93 were accepted; Uganda did not qualify). Notably, three countries submitted a film for the first time, including two African countries: Ghana sent “Azali” and Nigeria sent “Lionheart”.

This year’s submissions from the African continent include:

– Algeria: “Papicha”, Mounia Meddour, director

– Egypt: “Poisonous roses”, Ahmed Fawzi Saleh, director

– Ethiopia: “Running Against the Wind”, Jan Philipp Weyl, director

– Ghana: “Azali”, Kwabena Gyansah, director

– Kenya: “Subira”, Ravneet Singh (Sippy) Chadha, director

– Morocco: “Adam”, Maryam Touzani, director

– Nigeria: “Cœur de Lion”, Geneviève Nnaji, director

– Senegal: “Atlantique”, Mati Diop, director

– South Africa: “Knuckle City”, Jahmil XT Qubeka, director

– Tunisia: “Dear son”, Mohamed Ben Attia, director

Nominations for the 92nd Academy Awards will be announced on Monday, January 13, 2020.

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HBO calls for nominations for short films by Asia-Pacific Americans

Submissions open later this week for HBO Visionaries with Shannon Lee as this year’s ambassador and spokesperson.

Tidy up your shorts or start shooting one now. On Thursday morning, HBO announced a call for entries for its annual short film competition, Asian Pacific American Visionaries (APAV).

The theme of this year’s competition is “Breaking Down Barriers”. Films must be directed by someone of Asian or Pacific Island origin, be 10 to 15 minutes long, and be a live narrative (no documentaries or animation). Visit www.hbovisionaries.com for complete competition guidelines. Submissions will open on Sunday, September 15 at 9:00 a.m. PT and close on December 1 at 11:59 p.m. PT.

HBO Visionaries was established in 2016 to provide a platform for emerging filmmakers to share their own stories from their unique and diverse perspective. The competition features storytellers of Asian and Pacific Island heritage, and the top three winners receive cash prizes and the opportunity to preview their projects on HBO (and / or its on-demand, digital platforms. and / or social), following their theatrical release. Los Angeles Asia-Pacific Film Festival 2020 debut.

Shannon Lee, executive producer of Cinemax’s “Warrior” and CEO of Bruce Lee Enterprises, is the Ambassador and spokesperson for HBO Visionaries 2020. Former HBO family members who have served as Ambassadors include Sujata Day (“Insecure”) , Leonardo Nam (“Westworld”) and Jimmy O. Yang (“Silicon Valley”).

“One of the most important ways to uplift each other is to create opportunities for each other – the opportunity to share our intimate stories, the opportunity to be seen and heard, the opportunity to grow through each other, ”Lee said. “HBO APA Visionaries creates opportunities that weren’t there for someone like my dad back when he was doing media in the ’60s and’ 70s, and I am honored and grateful to be an ambassador for the program this year. . “

Lee recently spoke about how Quentin Tarantino handled the story of his father Bruce Lee in the movie “Once Upon a Time” in Hollywood. The tarnishing of martial arts and the history of theater legend is just one more reason for an increased reputation in front of and behind the cameras.

Here’s Shannon Lee’s official announcement for HBO Visionaries:

HBO executives and representatives from major Asian American media organizations, including the Center for Asian American Media (CAAM) and the Coalition of Asian Pacifics in Entertainment (CAPE) and Visual Communications, will judge the competition.

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Netflix and Amazon not welcome at one of TIFF’s biggest screening venues

Operators are fighting for movie theater windows at film festivals as Cineplex bans TIFF films from 14-screen Scotiabank streamers.

The battle between theater operators and Netflix over the streamer’s refusal to respect traditional theatrical windows spread to the Toronto International Film Festival, where the owner of one of the event’s largest venues , the Scotiabank Theater, a multiplex owned by one of Canada’s largest chains⁠ – told the festival it would not show any films distributed by a streaming service during the festival’s 10 days.

“Cineplex has been a great partner of TIFF for many years,” festival co-directors Cameron Bailey and Joana Vicente said in a statement. “This year, new restrictions were put in place in our use of their Scotiabank Theater during the Festival. As a result, we have scheduled movies from streaming services in other locations. “

Amazon declined to comment. Cineplex, meanwhile, provided this statement to IndieWire: “There are hundreds of fantastic films showing at this year’s festival and with all of these options, we’ve asked our screens to feature titles from studios that include and appreciate the importance of the theatrical release model. We have a strong and long-standing partnership with TIFF and are proud of our role in creating memorable theater experiences for festival goers, now and for years to come.

The first to note the lack of Netflix titles was Globe and Mail editor-in-chief Barry Hertz. With 14 screens and 4,500 seats, Scotiabank is the main venue for non-premiere screenings at TIFF. On Saturday, these included hot movies like “Parasite”, “Pain and Glory” and “Waves”.

The Netflix and Amazon non-premiere screenings are instead scheduled at the Bell Lightbox, which has six screens with seats ranging from 522 to 41 per theater.

The films distributed by Amazon absent from the Scotiabank Theater are “Les Misérables”, winner of the Cannes Jury Prize, “Honey Boy” by Shia LeBeouf, “The Report” by Scott Z. Burns and “The Aeronauts”. One notable exception is “The Goldfinch”, co-funded by Amazon, which is distributed by Warner Bros.

Among the eight Netflix titles at TIFF are “Marriage Story”, “The Two Popes”, “The Laundromat” and “My Name Is Dolemite”.

The exclusive 90-day theatrical window has become a life and death battleground between streamers and exhibitors. More recently, Netflix has tried – and failed – to get big show chains like AMC, Regal and Cinemark to screen Martin Scorsese’s “The Irishman,” offering the compromise of a 45-day window. The channels have said they cannot go below 75 days, and “The Irishman” will now get an exclusive limited theatrical release on independent screens on November 1 before moving to Netflix on November 27.

After following traditional exhibition windows with earlier releases, Amazon has moved to a model closer to Netflix with films like “The Report” and “The Aeronauts,” both of which will receive theatrical releases two weeks before. to upgrade to Amazon Prime.

This is a developing story. Check back for more updates.

Eric Kohn and Anne Thompson contributed to this report.

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Reel Shorts is looking for local movie submissions

Content of the article

The Reel Shorts Film Festival gives Peace Country filmmakers until February 21 to submit their short films for the upcoming festival May 6-13 in Grande Prairie.

Content of the article

Films must be between two and 31 minutes in length and have a completion date no earlier than January 1, 2017. They also must not be already on YouTube or publicly available online.

“Over 5,000 applications from 116 countries were received by the usual submission deadline, but February 21 is an extended deadline for films made in the Peace Region and for those made all over the world by filmmakers. who currently reside or have resided in the Peace Region, ”said Terry Scerbak, director and programmer of Reel Shorts, in a statement.

Since 2007, the festival has selected more than 80 films to screen each year. A third of them are premieres, while about the same number are laureates.

Reel Shorts is also a qualifying festival for the Canadian Screen Awards and has the largest school program in the Prairie Provinces with over 2,000 students from grades 1 to 12 participating in the festival last year.

Between 2013 and 2018, the festival screened 89 Peace Region films.

“The Peace Region film community has grown considerably since the festival began in 2007,” said Scerbak. “A catalyst for this growth was Shoot for Reel, a two-week internship program that trained a dozen interns during the production of ‘The Horizon Project’ in the summer of 2012.”

“It was directed by Scott Belyea, a Vancouver filmmaker who grew up in Grande Prairie,” she added. “Shoot for Reel led directly to the formation of PRIMAA (Peace Region Independent Media Arts Society) in 2013 and the start of a thriving film community in the region. “

Filmmakers who screen their films at the festival receive royalties. Their films are also eligible for jury prizes and audience choice.

More information on the submission process is available at reelshorts.ca.


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Movie Submissions Around the Corner – River Journal Online – News for Tarrytown, Sleepy Hollow, Irvington, Ossining, Briarcliff Manor, Croton-on-Hudson, Cortlandt and Peekskill

In the month since co-founders Taylor White, Matt Verboys and Dale Cunningham announced the Sleepy Hollow International Film Festival (SHIFF), which will take place in Sleepy Hollow and Tarrytown from October 10 to 13, they have returned with stakes. exciting updates.

The official website of the Festival (www.sleepyhollowfilmfest.com) will kick off the week of February 11 and begin accepting feature and short film submissions. “We’re excited to start seeing what we know to be an amazing area of ​​projects,” said Matt Verboys. “The only requirement for creative content will be that the film must somehow touch the unknown.” Dale Cunningham adds: “Anything that has a hint of the supernatural, from fantasy to horror to comedy, will be considered.”

The awards will go from Best Picture to Best Director, Best Breakthrough Performance, Best Score and more.

“We really want to honor the deep and historic source of creativity that Sleepy Hollow has been for writers of all stripes through the ages, and that includes screenwriters a lot,” said Taylor White. “We are therefore delighted to announce that SHIFF has also included a non-produced screenplay competition. “

Anyone can submit their non-produced screenplays through the website and the winner will receive a prize for the best non-produced screenplay at the festival.

Both film and screenplay submissions will be screened and read by SHIFF’s selection committee, which includes industry-recognized filmmakers and writers.

For more information on SHIFF, visitwww.sleepyhollowfilmfest.comand read www.riverjournalonline.com for more updates!


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Oscars 2018: Best Foreign Language Films Submitted

The competition for the coveted Oscar® for Best Foreign Language Film 2018 produced dozens of well-directed films from around the world. With way too much to cover, I’ll limit my reviews to some of the European entries.

“The guilty”

Official entry from Denmark for the Oscar® for best foreign language film. Photo: Courtesy of Magnolia Pictures.

Denmark’s official entry to the Oscar® for best foreign language film
Distributor: A Magnolia Pictures Release
Directed by: Gustav Möller
With: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi and
Jakob Ulrik Lohmann
Kind: Mystery / Drama
Language: Danish with English subtitles
To note
Duration: 85 minutes

If I had to tell you that almost all of the film takes place in a small booth inside a police station where Officer Asger Holm, pending the outcome of an internal investigation into his activities, was assigned to man what would be the equivalent of our 911 emergency line, you would think the movie would be claustrophobic with all the action taking place within such close limits. Normally you might be right, but thanks to Gustav Möller’s brilliant direction of “The Guilty” and Jakob Cedergren’s dizzying performance as a cop faced with both this impending murder and his own demons, the rather, film has an advantage. A relentless, tension-filled thriller serving up unexpected twists and turns. Briefly, a call comes in from a woman claiming that she was kidnapped by her husband at the threat of a knife and that she fears he will kill her. The line suddenly goes out and what follows is a cat and mouse tale as the officer must use all of his mind to save this woman. Mölle’s directorial debut meticulously drives the tension-filled narrative, which will keep you on the edge of your seat until the very last second of the film.

“Cold War”

Official participation of Poland in the Oscar® for best foreign language film. Photo: Courtesy.

Official entry of Poland to the Oscar® for best foreign language film
US Distributor: Amazon Studios
Directed by: Pawel Pawlikowski
Story: Pawel Pawlikowski
Screenplay: Pawel Pawlikowski & Janusz Glowacki
With: Joanna Kulig, Tomasz Kot, Agata Kulesza and Borys Szyc
Genre: Drama
Languages: Polish, French, Russian, Italian, German, Croatian, with English subtitles.
To note
Operating time: 88 minutes

This visually stunning black and white film directed by Pawel Pawlikowski, with haunting cinematography by Łukasz Żal, got my vote for best foreign language film.

It’s an epic, sizzling love story that begins in the shadow of the Cold War in 1950s Poland and takes us on a fascinating and passionate fifteen-year journey, as two doomed lovers, beautifully interpreted by Joanna Kulig as Zula and Tomasz Kot as Wiktor, are magnetically drawn to each other over the years but fail to keep their relationship viscerally passionate. In addition to Poland, their adventures take them to Berlin, Yugoslavia and Paris. In his quest to restore traditional Polish folk music, Wiktor and his team travel the Polish countryside to record and audition singers and musicians for their Mazurek folk music troupe, based on an actual troupe. At the opening, we hear a cacophony of voices as young men and women audition. It’s a most delicious start, which fully captures your attention and makes you smile. It is in this setting that Wiktor falls desperately in love with the young, beautiful and quite sexy, but perhaps deceitful Zula who lets herself be captivated by her unbridled attraction. You might remember the director won an Oscar® for his brilliant “Ida”. “Cold War” is equally compelling cinema and in countless ways, due to the complexity of the narrative, more worthy of celebration than current favorite “Roma”. While this is another example of excellent cinematic achievement, compared to ‘Cold War’ it is a small slice of life history beautifully written, directed and photographed by Alfonso Cuarón Orozco . Yalitza Aparicio gives a knockout performance as the Cleo Family Housekeeper while her directing captures the drama and textures of a wealthy little Mexican family set against a backdrop of street violence. His use of aquatic imagery almost becomes a fascinating character in the film.

“Eldorado”

“Eldorado”, official entry from Switzerland for the Oscar® for best film and documentary in a foreign language. Photo: Courtesy.

Official Swiss entry to the Oscars® for the best foreign language documentary and film
Production companies: Zero One, Thelma Film, Ormenis Film, Swiss Radio and Television, Bayerischer Rundfunk
Director and Screenplay: Markus Imhoof
Producers: Thomas Kufus, Pierre-Alain Meier, Markus Imhoof
Director of Photography: Peter Indergrand
Actors: Robert Hunger-Bühler, Caterina Genta
Languages: German, Italian, French, English
92 minutes
Genre: Documentary
To note

“Eldorado” director Markus Imhoof draws on a very personal story from his childhood when, during World War II, his family welcomed a young Italian girl named Giovanna whom her parents eventually adopted. Using this as a springboard, he

illuminates unimaginably harsh conditionsfaced by refugees trying to flee Africa to Europe. Zooming in painful close-ups of overcrowded boats and the desperate faces of those trying to flee to safety, his camera highlights the harsh reality of what these desperate people endured on the Mediterranean Sea, in Lebanon, Italy, in Germany, and in Switzerland.

While the storytelling is very confusing at times, the film couldn’t be more timely given what takes place as refugees from South America attempt to reach our southern border in search of refuge from the conditions dangerous and potentially fatal that they flee. Perhaps one day the current administration will reread and honor the words written on the Statue of Liberty:

Give me your tired, your poor
Your curled up masses yearn to breathe freely
The miserable rubbish of your teeming shore
Send them to me, the homeless, storm-shaken
I raise my lamp next to the golden door

Watch for my next three capsule reviews: “The Eighth Commissioner”, (Croatia) “Champions” (Spain) and “The Resistance Banker” (Netherlands).


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Call for nominations for the annual Apollo Film Festival 2018

The Apollo Annual Film Festival will be held at the Apollo Theater in Victoria West

The 9th Annual Apollo Film Festival will take place October 3-6, 2018 at Victoria West in Northern Cape, South Africa.

The Apollo Annual Film Festival is a small, well-established festival that features documentaries, feature films, short films and animated films from South Africa. The festival is continually on the lookout for unique and exciting stories to share with South African audiences.

Interested filmmakers are invited to submit a vimeo link of their film for review and possible inclusion in the 2018 program. Applicants should note that a DVD copy of their film must be available for a minimum of two screenings during the dates listed below. -above.

REGULATIONS

  • No films to submit without complete entry forms.
  • All submissions must include the following: approx. Synopsis of 200 words, 2 still images of the film either in hard copy or digitized in JPEG format with 300 dpi, filmography / complete biography of the director.
  • No promotional material submitted will be returned to sender.
  • No material sent at the expense of the Festival will be accepted.
  • If the film is selected, it must be available on DVD or Blu Ray in English or with subtitles.
  • The copyright holder authorizes the Festival to make extracts of a maximum duration of three minutes available to television channels and to use on the Apollo Film Festival website for the promotion of the film and the Festival.

REWARDS

The Apollo Film Festival awards the following prizes:

  • Best South African Feature Award
  • Best South African Documentary Film Award
  • Best South African Short Film (Professional Category)
  • Best South African Short Film (Student and Newcomer Category)
  • Best Actor in a Feature Film
  • Best Actress in a Feature Film
  • Best Screenplay for a Feature Film
  • Best South African Short Film (Animation Category)

DEADLINE

Submit all information to [email protected] The deadline for the arrival of applications at the Festival offices is 5:00 p.m. on July 31, 2018. No late registration will be taken into account.


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Moet Moment Film Festival open for film submissions – Under the Line

Translating your “reason for celebration” is at the heart of the Moet Film Festival Moet. Presented by the iconic French champagne house, Moët & Chandon, the Moet Moment Film Festival (MMFF) is currently inviting filmmakers to submit a thirty to sixty second short film that captures a moment of celebration “physical, emotional, intellectual or ethereal”. This year’s esteemed Senior Judge is Billie Lourd.

Lourd has turned heads in her recent acting roles in Ryan murphy‘s Scream queens and american horror story, as well as in his portrait of Lieutenant Connix in Star Wars: The Force Awakens and Star Wars: The Last Jedi. Imbued with Hollywood royal lineage – Heavy is the only child of CAA‘s Bryan Heavy and the end Carrie Fisher thus the goddaughter of Mery Streep – her passion for acting, filmmaking and promoting the talents of storytellers of her generation led her to become the main judge of this year’s competition FMM.

Lourd joins an esteemed panel of judges, including Sharon badal, Vice-President of Relations with Filmmakers and Short Film Programming – Tribeca Film Festival, Volaine Etienne, Founder of Serial photos, Leslie Urdang, President of Brand key images, Kisha Imani Cameron, director of talent development at Ghetto Film School, Anke hofmann, vice-president of HFPA and actress Laura Dern.

Applications for the festival must be received by April 5, 2018. For more information, please visit: http://www.moetfilmfest.com


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Ashland Film Festival Now Accepting Student Film Submissions

Ashland, Oregon – Thanksgiving is a time to give thanks and spend time with family and friends. However, it is a four day weekend and it gives the kids a lot of free time. Rather than seeing them all the time looking at the screens, why not offer them to make their own films? They might even have the chance to see their movie play on the big screen!

Youth who live in Coos, Curry, Douglas, Jackson, Josephine or Klamath counties in Oregon; Del Norte or Siskiyou counties in California can submit their short films (less than 5 minutes in length) for FREE to the LAUNCH Student Film Competition of the Ashland Independent Film Festival (AIFF). Everyone who submits a film receives two tickets to the festival, April 12-18.

The winning films are screened during the festival, and the filmmaker receives cash prizes and a pass to over 100 films and special events. There, they can interact with filmmakers from around the world and attend Q&A after screenings.

The submission deadline is January 5, 2018, so now is a great time to get them started.

Need inspiration to get kids moving? Here are seven Thanksgiving-themed ideas to put them into action:

1. Mom’s hip-hop career doesn’t leave time for pumpkin pies this year … and the family is in turmoil about it!
2. Uncle Dwight brings his new Russian girlfriend to dinner – could she be a spy?
3. How did Grandma and Grandpa meet? There could be an epic romance waiting to be told.
4. What are the origins of this incredible turkey herb sauce? Is there a caper recipe that needs investigation?
5. The Secret Life of the Family Parakeet: Maybe your seemingly innocent pet has an exotic past or a sultry secret life in nature, and ultimately didn’t settle for a golden cage.
6. How will the kids stop Great Aunt Zelda from reenacting her first Thanksgiving interpretive dance again this year?
7. Daddy snores after dinner in a tryptophan stupor while the rest of the family walks: the baby crawls, the dog trashes daddy’s office, and the upstairs bathroom is flooded.

All cinematographic genres are accepted: animation, documentary or narration, it’s up to the children to decide! There are five categories with cash prizes: Classes K-5, 6-8, 9-12, Undergraduates, and PridePrize. The PridePrize is a special award for outstanding films made by students who talk about the LGBTQ + experience. All student filmmakers in the region, in grades 9 to 12 and undergraduates, are eligible for the PridePrize. This award is made possible by a generous donation from the Equity Foundation’s LGBTQ Juvenile Justice Fund.

Have a question? See the LAUNCH FAQ at ashlandfilm.org/launch, or contact the Ashland Independent Film Festival at [email protected] The LAUNCH program is funded in part by a grant from the Oregon Cultural Trust. Prizes made possible by the Rotary Club of Ashland Lithia Springs.


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