Premiere Status and Eligibility for SXSW 2021 Movie Submissions

Emily Blunt and John Krasinski attend the premiere of

The SXSW Film Festival recognizes 7 types of first status for the 2021 season: World Premiere, International Premiere, North American Premiere, American Premiere, Texas Premiere, Austin Premiere, and Not a First.

Navigating the premiere status and eligibility of your film or project can be tricky, so before submitting your film to the Film Festival for SXSW Online, review the premiere status information and delve into the requirements of each screening section.

To be eligible for SXSW 2021, your project must have been completed in 2019, 2020, or be on track to finish early 2021. Please note that each category of submission has different first and eligibility conditions – check out below and in our 2021 movie submission guides for a full breakdown.

The premiere status of your film is an important factor; however, due to these difficult times we will be more flexible on the status of premiere for SXSW 2021. All other things being equal, the premiere will have the slot, but it’s not absolute. We make exceptions for the movies we love, no matter where they are shown. For example, our Favorites section of the 2020 festival was made up of non-premieres.

Premier Status

  • World premiere: Your project was not screened in theaters prior to SXSW, either as part of a film festival or other paid public theatrical exhibition, and has not been shown or streamed on television. or on the Internet or streamed via home video or other public distribution platform (Blu-ray, DVD, streaming, VOD, etc.) in any country prior to SXSW.

  • International premiere: Your project was not theatrically screened outside its country or countries of origin prior to SXSW, either as part of a film festival or other paid public theatrical exhibition, and has not been broadcast or streamed on television or the Internet or broadcast via home video or other public distribution platform (Blu-ray, DVD, streaming, VOD, etc.) in any country prior to SXSW.

  • North American premiere: Your project was not screened in theaters in the United States, Canada or Mexico prior to SXSW, either as part of a film festival or other paid public theatrical exhibition, and has not been broadcast or streamed on television or the Internet or broadcast via home video or other public distribution platform (Blu-ray, DVD, streaming, VOD, etc.) in any country prior to SXSW.

  • American premiere: Your project was not theatrically screened in the United States prior to SXSW, either as part of a film festival or other paid public theatrical exhibition, and has not been shown or broadcast in Streamed on TV or the Internet or broadcast via home video or other public distribution platform (Blu-ray, DVD, streaming, VOD, etc.) in any country prior to SXSW.

  • Texas Premiere: Your project was not screened in theaters in Texas prior to SXSW, whether at a film festival or other paid public theatrical exhibition, and was not broadcast or streamed on television or the internet or broadcast via home video or other public distribution platform (Blu -ray, DVD, streaming, VOD, etc.) in any country before SXSW.

  • Austin premiere: Your project was not theatrically screened in Austin prior to SXSW, whether at a film festival or other paid public theatrical exhibition, and was not shown or streamed on television or the internet or broadcast. via home video or other public distribution platform (Blu-ray, DVD, streaming, VOD, etc.) in any country before SXSW.

  • Not a first: Your project was theatrically screened in Austin at a film festival before SXSW, it was shown in a country other than the United States via a TV broadcast or theatrical screening before SXSW, or was aired, Streamed on TV or the Internet as part of a limited-time virtual festival event.

Eligibility criteria

Click to read the premiere and the eligibility policy for each screening section:

To explore Submission guides for the 2021 film festival for more information on each screening section. Read it Movie submissions faq for specific questions about submitting your film, premiere status, eligibility, and more.

Submit your film

Submit your film to the Film Festival for SXSW Online from March 16 to 20, 2021 by official deadline October 28 at 11:59 p.m. PT. As part of our 2021 offerings, this digital experience will include lectures and sessions, screenings, showcases, networking and exhibits.

Once your project is submitted, you will receive a confirmation email from SXSW within 48 hours. This email will confirm that your film has been submitted correctly. If you do not receive this email within 48 hours, please follow up by sending an email to [email protected] to make sure your film has been submitted correctly and is under review. All applicants will be informed of the progress of their project no later than Tuesday February 16, 2021.

Submit your film

A Quiet Place, Première 2018 – Photo by Matt Winkelmeyer


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Vault of Terror needs short film submissions

VIPCO (Video Instant Picture Company) was resurrected from the ashes of the late 1980s VHS distributor to form the new Vault of Terror. If you are a promising filmmaker, they are looking to promote your work.

VIPCO, alias Video snapshot company was a staple of the 1980s VHS scene. If you frequented a Blockbuster or any video store at the time, chances are you’ve seen several of their tracks.

They were the premier cult horror distributor during the era of ‘wicked video’ and banned movies in the UK. Some of their memorable films include Zombie flesh eaters, Psychic killer, The Driller Killer and Nesting Just to name a few.

Although they’ve been gone for years now, VIPCO was resurrected by HorrorScreams VideoVault CEO and Founder Peter Hopkins with writer / director Lorna J. Child. This incarnation of the company seeks to promote new filmmakers.

Their current series proposed, Vault of Terror, is looking for short films in the following genres: horror, science fiction, fantasy and thriller. The big part of this effort is that they keep submissions open year round.

If you have a production that you are dying to share with the world, contact Hopkins and Child at [email protected] For the first anthology release, creatives must submit their entries before January 1, 2021. A panel of judges will select exceptional efforts in the above categories to be broadcast on DVD and VOD platforms.

In order to take your work to the next level, make sure your application meets the following submission criteria:

  • The movie must be in full HD 1080p screen
  • Delivered 24 fps (Movie)
  • Can be filmed on DSLR, Go Pro or even your phone!
  • Please submit your film with the opening and ending credits still attached.
  • No copyrighted music or logos other than you are permitted to use in the production.

You can follow VIPCO on Facebook for more information.

Are you planning to feature in a short film for VIPCO’s anthology series, Vault of Terror? Let us know in the comments.


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TIFF 2020 announces key dates, tickets and screening locations

The Toronto International Film Festival today announced ticket details and screening locations for TIFF 2020, and although this is a dramatic change from previous years, the annual cinema celebration is taking place. continues.

The festival takes place this year from September 10 to 19, 2020 and features a creative mix of indoor cinemas, digital screenings, drive-ins and outdoor cinema experiences.

Indoor screenings, in accordance with public health protocols, will take place at the TIFF Bell Lightbox and Isabel Bader Theater, while drive-ins and outdoor cinema will take place at Visa Skyline Drive-In at CityView, RBC Lakeside Drive -In at Ontario Place, and the West Island Open Air Cinema at Ontario Place.

David Byrne’s American Utopia, directed by Spike Lee, will open TIFF 2020, and the festival will feature 50 films in total, including Ammonite, with ate Winslet and Saoirse Ronan; Michelle Latimer adaptation of Inconvenient Indian; Shadow in the cloud, with Chloë Grace Moretz; Viggo Mortensen Fall; and Regina King’s One night in Miami.

Prices start at $ 19 and go up to $ 69, for drive-ins. Tickets will go on sale August 28 for members of the TIFF Patron Circle and September 5 for the public. Scroll down for all the details, including key dates.

“TIFF 2020 is a film festival for now: fresh, diverse and unique stories from around the world, brought together in venues across the city and surrounding areas, and a sophisticated and secure digital platform, now called Bell Digital Cinema , for home viewing, ”the festival announced today.

“In accordance with precautionary measures provided by the City of Toronto and Public Health Ontario, the capacity of the TIFF Bell Lightbox theaters and the Isabel Bader Theater will be reduced. The Bell digital cinema, drive-ins and outdoor cinema will also have a capacity limit. “

Full details on where you can see each movie will be announced on Tuesday, August 25, including details on special events. This year, all ticket sales will be online or by phone only.

Digital projection for the public on Bell Digital Cinema will only be available to people located in Canada for TIFF 2020. Projection options will allow people to watch movies on their TV using Chromecast, or for users from Apple, a new TIFF app will be available in the App Store on September 9. Anti-piracy measures will be put in place to protect the films, including the watermark.

“We are grateful to every filmmaker, company, donor, member and partner who joined us on this journey,” Bailey and Vicente said in the press release. “We’re here today because of our commitment to great programming, collaboration, bringing audiences together through a love of cinema and celebrating the amazing audiences we have here in our city of Toronto. We are really proud and excited to share this news today.

Learn more about the films showing at TIFF this year.

KEY DATES:

From August 24 to September 9: Call center open from 10 a.m. to 6 p.m. every day

August 25: Official program of the film announced on tiff.net

August 28: Individual tickets to be purchased à la carte from Members of the TIFF Patron’s Circle according to level

September 2: Contributors Circle pre-sale of individual tickets

September 3: Presale of individual tickets 365 Members

September 4: Presale of individual insider tickets

September 5: Sale of individual public tickets

September 8-9: Ticket office open from 10 a.m. to 6 p.m. every day

TICKET PRICES:

All prices include taxes and fees.

TIFF Bell Lightbox & Isabel Bader Theater
Regular movie screenings: $ 19
Premium movie screenings: $ 26

Bell Digital Cinema
Regular movie screenings: $ 19
Premium movie screenings: $ 26

Projections at the drive (Visa Skyline Drive-In at CityView and RBC Lakeside Drive-In at Ontario Place)
Car with 1 to 2 people: $ 49
Car with 3+ people: $ 69

Outdoor cinema screenings (West Island open-air cinema at Ontario Place)
Lawn pod for 2 people (pedestrian): $ 38

Visit TIFF for more information. Stay tuned for TIFF coverage of The GATE before, during and after the festival.


TIFF continues to work closely with the Province of Ontario, the City of Toronto and public health officials on the safe running of the festival, with its number one priority being the health and well-being of moviegoers across the country. festival and residents from across the community. The province’s Stage 3 reopening guidelines currently cap a theater occupancy at 50 guests per theater based on the theater’s total capacity. Additionally, TIFF has partnered with Medcan, a global healthcare leader providing medical expertise, consultation and healthcare inspiration to achieve its mission of helping people “live well for life”. . Building on the pillars of evidence-based care, exceptional customer service and the latest technology, Medcan’s team of more than 90 physicians and specialists supports employee health care across the health continuum. , including its “workplace safety system” helping organizations navigate the pandemic.

The global health crisis has affected everyone working in the cultural industries, and TIFF has been severely affected. His role in the film industry ecosystem has been the impetus to move forward, to deliver a film festival that inspires and engages audiences, and to serve as a beacon of hope for Toronto, for filmmakers. and for the international film industry. TIFF is the cornerstone of a $ 2 billion per year film industry in Toronto, generates over $ 200 million in annual economic activity for the City of Toronto and the Province of Ontario, and is the primary market to launch Canadian film content into the global market.

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Edinburgh Zoo to be one of the UK’s in-car movie theaters

An airport and a zoo will be among the venues for drive-thru movies across the UK this summer.

To help ease the pressures of the Covid-19 lockdown restrictions, @TheDriveIn will visit 11 cities in 12 weeks from July through September.

Films such as Grease, Joker and Toy Story will be shown in large car parks, including those at Birmingham Airport and Edinburgh Zoo.

The films will be preceded by animations such as bingo, stand-up comedy, family games and a silent disco car.

Meanwhile, separate drive-in event promoters are in talks with a stately home in Scotland for a week-long drive-in festival.

Drive In Events hopes to host a socially distanced event at Hopetoun House in South Queensferry, Edinburgh.

It could accommodate up to 300 vehicles if it gets the green light.

The company will also look to host other events across the UK, including comedy shows, concerts and raves.

Tom Ketley of the Fly Open Air music festivals in Scotland, and part of the team behind the plans, said: people while ensuring strict social distancing.

“People need something to look forward to, they need access to social interactions and entertainment.

“Many people who have been locked up alone suffer from mental health issues and once lockdown laws are relaxed the government will need to ensure there is no mass for all with people descending into crowded pubs. , then a second wave of the virus to hit.

“I don’t see how a socially distant drinking culture can safely exist.”

Keltey said other locations could host a “drive-in fringe” in August as well.

The Drive In Events team looked at successful events in Germany and Denmark, such as road raves, and how the venues have been successful in keeping social distancing restrictions in place.

Co-promoter Steffan Chelland, who runs Bristol-based Time Warp events, said the goal is to bring some normalcy back to uncertain times.

He said: “It has been difficult not only for the music industry itself, but the average person has lost the sense of weekend outings, whether it is musical events, shows. live or just socialize with your friends – we’re trying to build a safe bridge to this. ”


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The most important rule for participating in scenario competitions

Are you doing your best against all the other writers with the same dream as you? Are you sure?

Some competitions, laboratories and scholarships receive more than 10,000 applications, including some from writers who have developed their art and their voice for years, even decades. They probably lost a lot more contests than they won, but they took their time, rose through the ranks, took notes and got better along the way.

Read also : 15 scriptwriting contests worth submitting in 2020

Contest readers want to find good scripts and they want to check out the next Greta Gerwig. So, trust that the readers of the legitimate contests know what they are doing and that they want you to improve. Trust the grades, rewrite, and enter three or four more contests until you stop getting bad grades or, better yet, win. From there you can move on to the bigger competitions and see how you fare.

Once you start winning, you could win amazing prizes including thousands of dollars in cash, trips to major festivals, presentations to top producers, agents, and more. And you’ll receive additional encouragement to elevate your art, improve your story, develop your voice, make new contacts, and build a pedigree that demonstrates to the industry that you are, in fact, a career-conscious screenwriter. This is what professionals do, and you are a professional on the rise.

Remember, Vince Gilligan (creator of breaking Bad) started his career from a small competition in Virginia. There is nothing wrong with starting small.


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Berlinale 2020 Adds Screening Venues Following Closures | New

The Berlinale has found other alternative screening venues for the next edition (February 20 – March 1) following the recent closure of the CineStar Sony Center and the IMAX cinema.

The festival will now occupy the nine screens of CineStar CUBIX, near Berlin’s Alexanderplatz, with a total capacity of 2,442 seats to screen the films of its general public program.

CUBIX has been an official Berlinale venue since 2007, showing films from sections such as Panorama, Forum, Generation, Culinary Cinema and NATive.

Addressing the artistic program of the 3sat television channel Kulturzeit, Berlinale Managing Director Mariette Rissenbeek suggested that the festival could have “a Berlinale lounge” set up at CUBIX to create more “a Berlinale feeling”.

In addition, the studio of the Academy of Arts (Akademie der Künste) in the Tiergarten district of Berlin will again serve as a screening location for the festival.

The Academy’s exhibition space and screening room was traditionally a venue for the Forum’s program until the Berlinale moved the activity center to Potsdamer Platz in 2000.

In 2015, the Forum Expanded program had moved to this venue – which is close to the Bellevue S-Bahn station – but then moved last year to the Silent Green arts venue in the Wedding district.

The new festival management has been forced to seek alternative screening venues for part of the program and the European Film Market (EFM) after the owners of the eight-screen CineStar Sony Center complex and the neighboring IMAX announced that they would cease their activities at the end. from 2019.

As previously reported, the EFM was able to find alternative venues for market screenings in the Delphi Lux miniplex – near the Zoo Palast – as well as two screening rooms at the Staatsbibliothek, the 50-seat Dffb workshop studio and the Russian House of Science and Culture cinema with 188 seats in Friedrichstrasse.

While festival organizers may have now solved the issue of where to screen their films, festival guests – and especially those from abroad and less familiar with Berlin’s geography or transport system – will likely need to spend more time traveling between screening locations.


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New Berlinale screening locations confirmed for 2020 | New

Berilnale’s European Film Market (EFM) has added four additional screens to its list of screening facilities for replace the loss of eight screens from the Sony Center Cinestar complex and the neighboring IMAX screen for the February 2020 event.

In addition to the seven screens of the Delphi Lux – near the Zoo Palast and Delphi cinemas – the EFM has secured the Russian House of Science and Culture in Friedrichstrae which has an 189-seat cinema. It is two U-bahn stops from Potsdamer Platz and a short walk from Stadtmitte train station.

Additionally, closer to the festival activity center at Potsdamer Platz are two screening rooms located at the Staatsbibliothek (State Library) – immortalized in Wim Wenders’ 1987 film. Wings of desire – with seating for 400 and 80.

A second studio-category cinema – the new “dffb 2” – was installed in the basement of the Filmhaus next to the Arsenal cinema with 50 seats, to complement the cinema school of the film school with 65 seats on the ninth floor , which is also used for EFM market projections.

The EFM also has a new screening venue to present VR content. The EFM VR cinema is at a new address – Am Park 4 – near the Berliner Freiheit and the Marriott Hotel.

In addition, the Generation box of the festival is moving from the Maison des Cultures du Monde this year due to renovations.

Urania was the main venue for Kinderfilmfest, as the section was called before Kosslick took over, until 1999 and can seat 866 and 320 people in Humboldt-Saal and Kleist-Saal respectively.


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Netflix and Amazon not welcome at one of TIFF’s biggest screening venues

Operators are fighting for movie theater windows at film festivals as Cineplex bans TIFF films from 14-screen Scotiabank streamers.

The battle between theater operators and Netflix over the streamer’s refusal to respect traditional theatrical windows spread to the Toronto International Film Festival, where the owner of one of the event’s largest venues , the Scotiabank Theater, a multiplex owned by one of Canada’s largest chains⁠ – told the festival it would not show any films distributed by a streaming service during the festival’s 10 days.

“Cineplex has been a great partner of TIFF for many years,” festival co-directors Cameron Bailey and Joana Vicente said in a statement. “This year, new restrictions were put in place in our use of their Scotiabank Theater during the Festival. As a result, we have scheduled movies from streaming services in other locations. “

Amazon declined to comment. Cineplex, meanwhile, provided this statement to IndieWire: “There are hundreds of fantastic films showing at this year’s festival and with all of these options, we’ve asked our screens to feature titles from studios that include and appreciate the importance of the theatrical release model. We have a strong and long-standing partnership with TIFF and are proud of our role in creating memorable theater experiences for festival goers, now and for years to come.

The first to note the lack of Netflix titles was Globe and Mail editor-in-chief Barry Hertz. With 14 screens and 4,500 seats, Scotiabank is the main venue for non-premiere screenings at TIFF. On Saturday, these included hot movies like “Parasite”, “Pain and Glory” and “Waves”.

The Netflix and Amazon non-premiere screenings are instead scheduled at the Bell Lightbox, which has six screens with seats ranging from 522 to 41 per theater.

The films distributed by Amazon absent from the Scotiabank Theater are “Les Misérables”, winner of the Cannes Jury Prize, “Honey Boy” by Shia LeBeouf, “The Report” by Scott Z. Burns and “The Aeronauts”. One notable exception is “The Goldfinch”, co-funded by Amazon, which is distributed by Warner Bros.

Among the eight Netflix titles at TIFF are “Marriage Story”, “The Two Popes”, “The Laundromat” and “My Name Is Dolemite”.

The exclusive 90-day theatrical window has become a life and death battleground between streamers and exhibitors. More recently, Netflix has tried – and failed – to get big show chains like AMC, Regal and Cinemark to screen Martin Scorsese’s “The Irishman,” offering the compromise of a 45-day window. The channels have said they cannot go below 75 days, and “The Irishman” will now get an exclusive limited theatrical release on independent screens on November 1 before moving to Netflix on November 27.

After following traditional exhibition windows with earlier releases, Amazon has moved to a model closer to Netflix with films like “The Report” and “The Aeronauts,” both of which will receive theatrical releases two weeks before. to upgrade to Amazon Prime.

This is a developing story. Check back for more updates.

Eric Kohn and Anne Thompson contributed to this report.

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Austin Film Festival (AFF) announces the winners of the 2016 Film and Screenplay Competitions, Hiscox Insurance Audience and Courage Awards

AUSTIN, Texas – (COMMERCIAL THREAD) – AFF, the first festival to recognize the writer’s contribution to cinema, announces its 2016 jury prize winners, the Hiscox Audience and Courage prize winners.

The following Film Jury Prize winners were selected by category:

Narrative dossier presented by Seed & Spark: Boys in the trees, written by Nicolas Verso
Feature documentary presented by POV: Santoalla, directed by Andrew Becker and Daniel Mehrer
Comic avant-garde feature: Hot air, written by Jeremy M. Goldstein and Derek Sieg
Characteristic of dark matter: The cliff, written by Natxo Lopez, Andres Martorell, Helena Taberna
Short narrative: Lucie in my eyes, written by Megan Park
Short narrative student film: The art of not appearing, written by Pernille Rivedal Hellevik
Short documentary film presented by IDA: Heaven is a traffic jam on the 405, directed by Frank Stiefel
Animated short film: Hugo bumfeldt, written by Eva Katinka Bognaar
Scripted digital series presented by New Form Digital: Guest appearances, created by Elizabeth Guest

The winners of the Hiscox Audience Award are:

Narrative feature: Blood band, written by Rémy Auberjonois and Kate Nowlin
Documentary film: Rebel High School in Berlin, directed by Alexander Kleider
Characteristic of dark matter: Images found in 3D, written by Steven DeGennaro
Comic avant-garde feature: Brave New Jersey, written by Michael Dowling and Jody Lambert
Short narrative: Kill thyme, written by Natalie Malla
Short documentary film: Heaven is a traffic jam on the 405, directed by Frank Stiefel
Animated short film: Moon of a white night, written by Takeshi Yashiro
Student narrative short: Red apples, written by Ophélie Harutyunyan
Scripted digital series: The listening box, written by Westin Ray
Cinema heart: American wrestler: the sorcerer, written by Brian Rudnick
Stories from abroad: My mother’s injury, written by Ozan Aciktan, Ozan Guven, Fethi Kantarci, Uygar Sirin, Mehmet Turgut, Funda Cetin
Texas Independent: State of origin, written by David Hickey and Blaise Miller
Marquee functionality: Lion, written by Luke Davies

A film has been selected to receive the Hiscox Courage Award. Elected by the public, the Hiscox Courage Award goes to the film that best embodies the virtue of courage and to the filmmaker who took the risk of sharing the story. The 2016 Courage Prize was awarded to Heaven is a traffic jam on the 405.

The following winners of the Screenplay Contest are:

Dramatic Screenplay Award presented by the Writers Guild of America, East: Static by Henry Jones
Comedy Screenplay Award presented by Sony Pictures Animation: Dinner with friends by Geeta Malik
Science Fiction Screenplay Award: Static by Henry Jones
Enderby Entertainment Award: Static by Henry Jones
Vertigo Entertainment Horror Award: Point of the rock draw
by Jeremy David Lee
AMC Hour Pilot Price: The devil and the depths by Kyle Bugg
Sitcom Pilot Award: To lose by Louise Rozett
Short scenario price: Future health
by Sarah Polhaus
Scripted Digital Series Award presented by New Form Digital: Main stream by JC Conklin
Price Spec. of one hour : Fargo: The Hunt for the Cobra King by Sarah Beckett
Sitcom Spec Price: Big city: short-term effort by Greg Wayne

ABOUT THE AUSTIN FILM FESTIVAL:

Widely known as “The Writers Festival”, Austin Film Festival is a non-profit organization dedicated to promoting the art, crafts and business of filmmakers and screenwriters. AFF is funded and supported in part by a grant from the Texas Arts Commission, Office of Austin Economic Growth and Redevelopment Services / Cultural Arts Division, believing that an investment in the arts is a investing in Austin’s future.

ABOUT HISCOX IN THE UNITED STATES

Hiscox, the specialist international insurer, is headquartered in Bermuda and listed on the London Stock Exchange (LSE: HSX). The Group has three main subscription sectors: Hiscox London Market, Hiscox UK and Europe and Hiscox International. Hiscox International includes operations in Bermuda, Guernsey and the United States. Hiscox Syndicates Ltd is authorized by the Prudential Regulation Authority and regulated by the Financial Conduct Authority and the Prudential Regulation Authority. The ability of Lloyd’s unions to do business in the United States and its territories is limited as they are not United States-based insurers. The publication and delivery of this information is not intended to be a solicitation by Lloyd’s to purchase insurance on any US risk. Hiscox Underwriting Limited and Hiscox ASM Limited are authorized and regulated by the Financial Conduct Authority.

Hiscox Inc., a Delaware corporation headquartered in New York, d / b / a Hiscox Insurance Agency in California, is a licensed insurance intermediary for both admitted and excess line business. Hiscox Inc. underwrites on behalf of, and does business with, Hiscox Insurance Company Inc., other national insurers and Lloyd’s unions (www.lloyds.com). Hiscox Insurance Company Inc. is an insurer domiciled in Chicago, IL, admitted or licensed to do business in all 50 states and the District of Columbia.


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